This is the head of the post.
Note: The following post was originally published on 17 November, 2011 on the now-defunct Remember XVI. It is presented here edited to fit the visual formatting of Altair & Vega, but otherwise unaltered in content. As such, the statistics and such in this post are a bit outdated by this point. It’s probably worth reading omo’s response as well.
Boku wa Tomodachi ga Sukunai is quite the contentious show among fans this season. I’m not talking about the show itself; no, it’s something at a much simpler level than that: it’s about just what to call it.
A self-proclaimed sociologist with no academic background in the field of sociology, bitmap has nonetheless published dozens of posts on modern Japanese pop culture over the Internet, and has been described as “an unconquered genius” by his peers. His works focus on the realities and fantasies of modern otaku culture, often centered around what he deems the “Anglo-anisphere,” and the resultant, delicate interculture.
What follows is a cursory introduction to the Japanese concept of denpa, in which a theoretical historical framework under which the “denpa aesthetic” developed over time is established and explored briefly.