“I’ve had enough of listening to your bullshit you stupid bitch. Hurry and hand over your rotten, delusional ambition, this ‘Fate Diary’ to that dumbass.”
-The Princess of the Crystal (Momoka Oginome) to Ringo Oginome, Mawaru Penguindrum Episode Five
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Colloquium: Mawaru Penguindrum Episode 23
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Colloquium: Mawaru Penguindrum Episode 22
ajthefourth: Towards the end of Revolutionary Girl Utena, director Kunihiko Ikuhara and his writer Yoji Enokido decide to re-introduce the audience to its Greek chorus element, The Shadow Girls, by showing them briefly out from behind their customary screens and shadow puppetry, talking to the main character, Utena Tenjou, in class. The Shadow Girls then proceed to put on a play for Utena and the two other main characters. In doing so, they present what has come before and recontextualize it a bit; setting the stage for the series’ final arc, The End of the World.
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Colloquium: Mawaru Penguindrum Episode 21
ajthefourth: This episode was a visual feast, especially for anyone who pays any sort of attention to color, color saturation, and basic blocking and storyboarding. As a general rule, we tend to adjust the light/darkness levels on images before putting them into blog posts to make more striking or well-lit images; however, for this part of the post, I feel it necessary to note that I have changed nothing (light/darkness, or color saturation levels) in these images and they prove my point magnificently. This episode was beautiful.
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Colloquium: Mawaru Penguindrum Episode 20
“You’re practically transparent. I can’t see you. I’ll share all of your punishment with you.”
-Shouma Takakura
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Colloquium: Mawaru Penguindrum Episode 19
“Am I not good enough?”
-Seiya Kou, Sailor Moon: SailorStars
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Colloquium: Mawaru Penguindrum Episode 18
ajthefourth: Please disregard a few of the speculations I made on Tabuki’s character last week. Although I still see him as partially representing that equalizing sort of attitude that I described from a few interviews in Underground: The Tokyo Gas Attack and the Japanese Psyche, it goes a bit deeper for Tabuki personally. I was wrong in saying that he has completely shut down emotionally, for there was still one thing that could stir Tabuki’s heart: Momoka.
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Colloquium: Mawaru Penguindrum Episode 17
vucubcaquix: I was honestly a bit at a loss for words for last week’s post. I didn’t dislike it and found it quite funny, but the animation was a bit weak in places and there wasn’t much to visually parse amidst the gags and slapstick. That’s not so for this week. In fact, halfway through I had to remark to my partner how absolutely beautiful some of the compositions for the scenes were. It’s not just the beauty that struck me, but also what’s being communicated through the imagery.
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Colloquium: Mawaru Penguindrum Episode 16
ajthefourth: Listen up you lowlifes who will never amount to anything, let’s initiate the survival strategy.
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Colloquium: Mawaru Penguindrum Episode 15
ajthefourth: In what appears to be a pivotal episode in the series, I’m going to start us off with something simple, but nuanced: characterization. Once again, we’re presented with Shouma’s inability to do anything, even when he tries to act. In a way, he’s reverted back to his self from the beginning of the series: an inept and fairly useless person. We see his penguin spraying for bugs, this time around being beaten to the punch by a nearby frog.
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Colloquium: Mawaru Penguindrum Episode 24 END
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Tagged as 1995 tokyo sarin attacks, anime, existentialism, haruki murakami, himari takakura, kanba takakura, mawaru penguindrum, momoka oginome, night on the galactic railroad, philosophy, shouma takakura, social commentary, super frog saves tokyo, underground: the tokyo gas attack and the japanese psyche