Tag Archives: oreki houtarou

Living in the Shadows: The Role of Support in Hyouka 17

“Asumi’s always looking up at the sky, right? Anyone who’s with her ends up looking up too. You will too, I bet.”

Twin Spica, Volume 9, Chapter 54

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A Database Predicts! Satoshi, Chitanda, Hyouka, and I

“The suspects number over a thousand. To deduce the culprit from amongst them all isn’t humanly possible. Thus the only way to catch them is to catch them in the act. This case isn’t up Houtarou’s alley, so I’ll solve it myself.”

-Satoshi Fukube

Let’s play a little game, shall we?

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“And You Don’t Doubt Your Own?” Satoshi Fukube, A Character Study

“Did you only just notice? We’ve known each other since middle school.”

This post is meant to be read in tandem with A Day Without Me’s post over at her blog, GAR GAR Stegosaurus. If you haven’t given it a look I strongly suggest you do. Stemming from this post, an immediate reaction to Episode 12 of Hyouka, and the off-handed suggestion that Satoshi Fukube, the self-titled database of Hyouka‘s high school detective team, is in fact gay.

Thus, the two of us set out in search of just how much evidence existed to support our theory and returned with some surprisingly sound results culminating in these parallel posts. Hers was to focus on what she calls “signposts:” signifying common characteristics that are meant to be seen and recognized by the audience as homosexual, regardless of whether they are true to life or not. Mine, as you are about to discover, was to focus on the development and nuances within Satoshi’s interactions with others as framed by the series itself.

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To Be Dead While Alive, to Have No Mouth Yet Must Scream: Hyouka 5

Hyouka follows Oreki Houtarou as he enters high school wishing to expend as little energy as possible despite his intelligence and deductive capacity. Of course if he were successful, we wouldn’t have much of a story; so we follow along as curiosity incarnate Chitanda Eru enlists his aid in helping her remember why an old story from her uncle left her in tears. To solve this becomes one the Classics Club’s raisons d’être, as we have Fukube Satoshi and Ibara Mayaka round out their quartet.

The answer lies in the name of the club’s anthology itself, the Hyouka, and why asking her uncle what the name meant left Chitanda in tears.

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